About

I work with sound as a system — one where listening, technology, and decision-making intersect. Over time, I’ve learned that the hardest part of the work isn’t access to tools or information. It’s knowing which choices matter —

and when to commit to them.

I’ve worked across records, live performance, and broadcast environments, where conditions change quickly and decisions carry real consequences. Those contexts have shaped how I approach projects now: listen first, reduce noise, and let intention guide the process rather than novelty or excess.

Some of my recent work involves helping artists and teams find clarity when a project has stalled, drifted, or become overcomplicated. Sometimes that happens in the studio. Sometimes live. Sometimes in real time, under pressure. The setting changes, but the work is the same — translating ideas into sound that holds together and feels resolved.

I stay closely connected to emerging artists through ongoing live and broadcast work, where experimentation, immediacy, and real-world constraints reveal what actually works.

That environment keeps me attentive to what’s happening

as it happens —

and continually informs how I approach every project.