About

Look, I’ve been doing this a long time. Decades behind the console, in studios that smelled like coffee and cigarette smoke, on stages where the lights were hot and the clock was real.

I worked with Alice in Chains when they were raw and real, Korn when they were pure fire, Primus when it was just plain wild and brilliant, 3 Doors Down when it was all anthems and heart.

Every band taught me the same thing: the gear doesn’t matter if the song's not there.

The job’s never been about chasing trends or piling on effects. It’s about listening first —

really listening —

then cutting away everything that gets in the way.

Sometimes that’s in a quiet studio. Sometimes it’s live, under pressure, no second take.

Same rules: find the soul of it, make it breathe, make it last.

I love getting my hands dirty — helping artists and teams get unstuck,

whether the project’s stalled, gone sideways, or just feels too heavy.

I bring the same thing every time: no shortcuts, no ego, just an honest ear

and the will to make it right. 

I stay close to emerging players through live and broadcast work —

that real-time chaos keeps me sharp, keeps me honest, and it reminds me what actually works when the lights are on and the tape’s rolling.

If you’ve got something worth saying — a record, a live show, a broadcast, a direction that needs clarity — hit me up. I get off on making it sound the way it’s supposed to sound.