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Where the work happens.​

Record Production & Mixing

I’ve spent most of my life chasing the sound that survives the room — whether it's a dense studio session or something stripped down.

The job is simple: listen until it’s clear, cut what doesn’t belong, and make choices that stick.

  • Performance first — the soul of the track comes from the player, not the gear.

  • Balance and translation — it has to hit on shitty speakers, car systems, headphones, everything.

  • No shortcuts — layers that add up, not pile up.

Close-up of mixing console faders in warm studio lighting during record production session

Live Sound & Broadcast

the supertruck 
Live sound mixing console during a broadcast or performance setup

Live is where shit gets real — no second takes, no hiding behind edits. I’ve mixed under pressure in venues, broadcast trucks, and one-off setups. The goal is the same: capture it clean, mix it honest, deliver it ready for the world.

  • Real-time decisions — reacting to the room, the crowd, the moment.

  • Broadcast-ready — clean feed, no excuses, no dropouts.

  • The Supertruck — my mobile rig for when the job can’t wait for a fixed studio.

Creative Direction

Sometimes a project starts strong but gets lost — too many ideas, too much noise, no clear path. I come in early to help define what it’s supposed to be, then keep it on track without killing the spark.

  • Listen to the artist — what they’re really trying to say.

  • Cut the drift — clear goals, focused choices.

  • Keep it deliberate — make sure every move serves the song,                                                not the ego.

Creative direction in music production: artist and producer microphones for 
collaborating in studio booth"

The Supertruck for mobile needs.

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© 2026 Toby Wright Music

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